Duccio di Buoninsegna
1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century. Related Paintings of Duccio di Buoninsegna :. | Rucellai madonna | Madonna with Child and Two Angels (Crevole Madonna) dfg | The Holy Woman at the Sepulchre | The temptation of christ on themountain | Temptation on the Mount | Related Artists: Germain-Fabius BrestFrench, 1823-1900 Johann EvangelistJohann Evangelist Holzer (December 24, 1709 - July 21, 1740) was an Austrian-German painter.
Holzer was born in Burgeis, Mals, in the Vinschgau Valley of South Tyrol, as the son of a miller. He was sent to undertake a classical course of study at Marienberg Abbey, but wished to study art; a portrait he painted of Johann Baptist Murr, then the abbot of the abbey, convinced his father to yield to his wishes. He studied under Nikolaus Auer and made rapid progress. At the age of 18 he painted the altarpiece of the Marienberg Abbey church, depicting Saint Joseph as patron of the afflicted, ill, and dying. He then went to Straubing, where he learned under Joseph Anton Merz how to paint frescos, which would become the main source of his later fame. He helped Merz paint the frescos of Oberalteich Abbey, and while in Straubing also painted Saint Anthony of Padua for the Franciscan church there.
1738/39 was in the painting of Eichstätt for the high altar of the Schutzengelkirche It is Holzer's largest painting on canvas (H: 8,36 m; B: 4,28 m) and impresses through movement, gesture, a dynamic composition, and a sophisticated lighting design. Although there are two pictures (side altars) signatures of Bergmeller, they will Holzer, assigned by the archives occupied painter of the high altar painting. RUOPPOLO, Giovanni BattistaItalian Baroque Era Painter, 1629-ca.1690
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